“Fucking” is a poor an intensifier in written non-fiction.

My objection is not one of prudishness but one of good usage. I don’t approve of using “very” as an intensifier, either (or really, or so). Saying something is “fucking unbelievable” is no better than “very unbelievable”; both lack imagination and weaken one’s prose. In the crowded blogosphere, prose with muscle is more likely to attract readers than flabby and/or overused intensifiers.

Readers depend on writers to rant with vivid language.

I think “fucking” has lost its vividness due to overuse. It’s lost its meaning and punch. Like love handles on hips, it’s flabby padding rather than taut flesh.

Lest I be written off as a member of the grammar police, I’m not. Language lives and changes with its users. Neologisms arrive (sexting, localvore) and antiquated words fade (mooncalf, quidnunc). Usage changes, too, as exemplified by the gender-neutral singular they.

Just as there’s a time and place for sex, there’s a time and a place for “fucking” in the text.

Certainly, it belongs when quoted as in, Luskin objects “to the current trend of using ‘fucking’ as an intensifier in written non-fiction.” You must use the word if you’re quoting someone else, and unlike on broadcast media, the word doesn’t have to be “bleeped” in print.

Another justified usage occurs when you’re writing fiction and it’s the language of your narrator or characters, in which case, let it rip! Some people say fucking as often as others say like, almost as a nervous tic.

Ultimately, it’s a matter of audience.

I’m sure that some of the writers who overuse “fucking” as their intensifier of choice have readers who don’t give it a second thought. But writers who want to reach an audience that includes people they don’t know, as well as people who might not agree with them, it’s better to state your ideas with clarity and precision. Personally, I want people to read what I write and object to what I say rather than to the language I’ve used.

Deborah Lee Luskin, M. Shafer, Photo

Deborah Lee Luskin,
M. Shafer, Photo

Deborah Lee Luskin is a novelist, essayist and educator. Her work can be found on Vermont Public Radio and on her website, where she blogs about her rural life in Living in Place and about middle age in The Middle Ages. Her award-winning novel, Into the Wilderness, is a love story about two sixty-somethings, set in Vermont in 1964.